![]() ![]() (You should be) I think it is better to know what state any synths memory is in at that time for a given project. I am always making new sounds and storing them anyway in user areas. They only work if the internal memories of your synths don't change but mine do every day so it won't work for me. I also think instrument definitions are not so important either. I spent some time with presence XT the other day and it can also sound excellent as well. Once they refine its CPU usage that is going to be a stellar instrument. Having said that I think they have done a great job on Mai Tai though. They take a large load from your computer and you will have CPU resources back the moment you start using hardware. It would grind a serious computer to almost a stop to sound half as good as a Kurzweil or Roland analog synth can sound. It takes a pretty good VST to rival the best sounding hardware.Įg Kurzweil/Roland etc. I would prefer a Fantom over Sample Tank any day! My external synths sound serious. It will still most often sound better than a lot of VST's. Not a bad idea is to use any external gear you own extensively. ![]() If they drop midi then I will simply find a great DAW that still provides it and with solid timing. I dont think they have forgotten about it at all. Studio One has got tons of midi capabilities. Sonar instrument definitions korg 64 Bit#I use a Steinberg Midex 8 under Win 7 64 bit and it works a treat. You get super low latency over midi too if you use one synth per midi port. Even while looping external midi parts you can drag a virtual instrument into Studio One and audition prests! The midi Note Fx are great and they all work with the external gear too which is pretty cool. You can come in and out of record and rehearse too. The sound changes and the data gets added in nicely. While looping you can seamlessly and in a gapless manner loop perfectly and jump midi tracks all on the fly. Then there is the thing I can do while looping over a section. ![]() I have heard strange (external) midi timing between midi and audio under load in Sonar. I found this to be the opposite in Sonar. The main for me is Studio One's external timing for me stays relentless and solid even when the audio side of the program is working hard under load. It records and plays better with a better feel and timing accuracy in my opinion. Studio One is superior to Sonar in certain respects midi wise. I have tried working with more than one DAW and I found it silly. It is the easier and more stable way of doing it. Sonar instrument definitions korg how to#Work out how to do it with the resources that are already there. You certainly do not need to rewire another complex application inside Studio One. I have produced some very complex external midi arrangements without any issues in fact very well. I for one so use quite a powerful external setup in conjunction with VST's. I have always believed the midi capability of Studio One has been great and will continue to be so. But if you love mucking about with loops of other peoples' music the future looks rosy. ![]() Alas, I fear that MIDI enhancements will never be part of S1's future. I don't use my Fantom X6 much these days, instead using SampleTank3 and other similar plugins, and although I upgraded to V3 and really enjoy using it, I haven't tried to use Rob's tool in V3 for fear of messing something up.Įven though I use VSTs like SampleTank for MIDI sounds I still revert to Sonar Platinum for MIDI-heavy projects because it's so much better than S1 for all things MIDI, especially PRV editing. I get the impression their developers are young, EDM enthusiasts and MIDI is regarded as old fashioned and unworthy of attention. Presonus could have easily added this when developing V3, as it's a 'self-contained' module. When I first bought my Korg X-50 I was very disappointed to find out that there were no instrument definition files available to use within my. ![]()
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